Arthur Miller uses Alfieri for Dramatic Essay

In the second part of his speech, Alfieri brings about a notion of tragedy, ‘Another lawyer, quite differently dressed, heard the same complaint and sat there as powerless as I, and watched it run its bloody course. ‘ This gives the audience a hint as to what is going to come ahead. The fact that Alfieri speaks in the third person indicates that the calamity has already happened and he was powerless to stop it. The idea of fate and destiny and destiny is also brought about. When Eddie, the protagonist of the play is introduced the scenario of a typical Greek tragedy is set up. Eddie is a good person but he has a flaw; his obsessive love for his niece, Catherine. If he is then put in an appropriate circumstance where his weakness is tested, he is likely to encounter tragic circumstances. The next time Alfieri addresses the audience the story has already been put into context. The audience are unaware of Eddie’s love for his niece and he could be easily mistaken as an over protective father. Eddie pays for her typing lessons and has ambitions for her to rise to a different class. ‘You ain’t all the girls. ‘ He is proud of her looks, yet concerned she will attract the wrong sort of men. ‘The heads are turning like windmills. ‘ In addition Eddie finds it difficult to admit that Catherine has become an independent woman. ‘I guess I just never figured†¦ that you would grow up. ‘ This Alfieri soliloquy helps the plot to progress. Again he uses the past tense, reminding us that he is recalling something which has taken place. Eddie is described as good and hardworking man, the audience can therefore sympathise and even like him. However Eddie has a fate and destiny which he cannot control. Towards the end of this short appearance, Alfieri notifies us on the arrival of the cousins and the play again unfolds. Subsequently we meet Alfieri who again mentions Eddie’s destiny. ‘Eddie Carbone had never expected to have a destiny. ‘ Yet again we are given the impression that Eddie is a good person and is someone you would expect to have a fairly normal life. ‘A man works, raises his family, goes bowling, eats, gets old, and then he dies. ‘ However we are reminded as Alfieri closes his speech that Eddie does have a flaw and as a result there will be devastating consequences. As a result of which, the audience are left in suspense and uncertainty as to what is to come ahead. ‘There was a trouble that would not go away. ‘ His next appearance is one of the most important in the play. Alfieri begins by saying how he is acquainted with Eddie and his family, which helps to put his relationship with the husky, middle-aged longshoreman into context. He then reveals that Eddie came to visit him in the first instance. ‘I remember him now as he walked through my doorway – his eyes were like tunnels. ‘ Which indicates that Eddie was out of control and looked fierce. Alternatively this could make the audience feel concerned towards his actions and what is to come next. It is the first time in the play that Alfieri transforms from being a narrator to actually a part of the action. As an actor taking part in the action, both his language and behaviour are more formal. In terms of language, Alfieri is more articulate and elevated; his sentences consist of professionalism and throughout this scene he is the voice of reason and sanity as opposed to the prejudiced and hurt Eddie. However Eddie is aggravated by Alfieri’s clear and focused attitude towards the law, as Eddie cannot differentiate between the law and the justice of the vendetta. ‘But the law is very specific†¦ The law does not. ‘

Writers Strike

The Writers Guild of America is a labor union that represents the thousands of professionals who write what we see and hear on our televisions, in movies, and. The guild combines the efforts of two different US labors; those east of the Mississippi are included in the Writers Guild of America, East. Those members in Hollywood and southern California would be part of the Writers Guild of America, West. Once ever three years the East and West guilds come together to negotiate an agreement with the Alliance of Motion Picture and Television Producers. The Alliance of Motion Picture and Television Producers is the association that conducts all the negotiations across all the industry-wide guild and union contracts. In the particular year of 2007 when it had come to the negotiating time of year the Writers Guild felt it was time to fight for change this time around. When home video was just starting out the studios asked the writers to take an 80% cut on their pay of videocassettes in order to expand the industry. This was done with the understanding that once home video was a healthy market the studios would give back what they had given up. With sales soaring with the selling of DVD’s and the use of digital downloading the writers pay has yet to be changed from their pay cut. Dave McNary of Variety Magazine stated that â€Å"the Writers Guild wants studios and networks to take a serious look at the Guilds proposals – which seek a doubling of DVD residuals, spelling out terms of new media work and broadening WGA jurisdiction over new media, reality and animation. Attempts at a negotiation to avoid a walkout failed as the Guild announced they would start their strike on November 5, 2007. The Writers guild had a solid reason behind their strike. Patric Verrone, President of the Writers Guild of America stated, â€Å"What we must have is a contract that gives us the ability to keep up with the financial success of this ever-expanding global industry. † In response to the Writers Guild’s DVD proposal the Alliance of Motion Picture Television Producers tayed with the fact that the studios’ DVD income was needed to pay for the rising costs of production and marketing. The AMPTP took a solid stance on their approach to the negation. AMPTP spokesman Jesse Hiestand shared that â€Å"the AMPTP may have different companies with different assets in different businesses, but they are all unified in one common goal – to reach an agreement with writers that positions everyone in our industry for success in a rapidly changing marketplace. Although the AMPTP was after mutual benefit things always didn’t go that way. One of the major issues that happened throughout the writers strike was the fact that negotiations between the two parties would fall through. One particular issue that broke up the negotiation was the issue of payment for content broadcast free or bought over the Internet. Finally after 100 days ups and downs the two parties came to an agreement. The deal they came to put in effect a scale of royalty payments for writers whose work is sold over the internet. Over the 100 days the writers strike lasted, there are several things that could have been handled better. One of the greatest things is this childish behavior reported by Multichannel News Reports stating â€Å"Representatives for the writers guild and the studio alliance are blaming each other for the lack of negotiations. † They could of avoided this issue and possibly could have had an agreement before the strike if they approached the negotiation by separating the people from the problem and working together towards mutual benefit. The greatest thing that went well in this negotiation is the positive outcome. Writers Guild President Patric Verrone said, â€Å"this was not a strike we wanted, but one we had to conduct in order to win jurisdiction and establish appropriate residuals for writing in new media and over the internet. Rather than being shut out of the future content creation and delivery, writers will lead the way as TV migrates to the internet and platforms for new media are developed. Those advances now give us a foothold in the digital age. † The outcome that came from the negotiations between the two parties sets them off to a positive co-existence in the future.

Essay Example | Topics and Well Written Essays - 1000 words - 123

Essay Example the real account of plague to set a scene for seven ladies between the ages of eighteen and twenty eight and men over the ages of twenty five to unite away from Florence to lead their remaining lives in pleasure and happiness. Florence suffered through plague that killed the dwellers of the place at a tragic extent. The epidemic not only brought inevitable death to people, but also took away the emotional and social relationships from the people. They did not hold anyone dear to them whether he or she was related to them in any sense. Boccaccio writes, â€Å"This disaster had struck such fear into the hearts of men and women that brother abandoned brother, uncle abandoned nephew, sister left brother, and very often wife abandoned husband, and -- even worse, almost unbelievable -- fathers and mothers neglected to tend and care for their children, as if they were not their own.† (Bondanella and Musa 68) Inevitability of death became clear to everyone and people started living their lives as per their will and wish. All people were affected because of epidemic whether they were old or young, rich or poor, master or slave. People were not worried about their properties and possessions. Some shut them inside their houses, some started to live as vagrants, some indulged in all kinds of legal and illegal pleasures while many others left Florence in order to hide from death. Boccaccio was able to put forward his fictional accounts while taking support of real time situation that hit many cities. It was plague that allowed people to enjoy liberty and free will and without such setting, the living of noble young ladies and men with each other without social bounds was unimaginable. 2-Summarize the story of Saladin, Melchisedec, and the 3 Rings. What is Boccaccio’s overall message to his audience? Why is it significant that the main characters are a Muslim and a Jew and that Boccaccio’s Italian readers were almost entirely Christian? Don’t forget to summarize the 3

1.Should the sentencing process in the U. S. be changed Why or why not Essay

1.Should the sentencing process in the U. S. be changed Why or why not 2. Discuss the key relationships of the prosecutor with others in the criminal just - Essay Example They are supposed to deter individuals from committing crimes, they are supposed to incapacitate those who are likely to commit crimes, bring about the process of rehabilitation and finally, to punish those who do not follow the laws of society. However, as discussed by Bellisle (2007), the sentencing system in America seems to focus more on the idea of incarceration and putting people in prisons rather than on rehabilitation and allowing them to become productive members of society. The courts hand out sentences to eighty thousand criminal defendants every year and the number of those who go into prison are far more than those who are released (Richey, 2005). Sentences handed out by courts simply put people away for long periods of time while not looking at the impact it would have on the prison system or even the nature of their crime. Many violations of the law come with mandatory minimum sentences and these sentences can be as long as 10 years for some drug offenses. Instead of allowing a judge to come up with a reasonable idea for how long a person should be put away for smoking marijuana illegally, the laws give mandatory minimum sentences which have to be followed (Bellisle, 2007). The sentencing process could be improved drastically if the judges are trusted to establish their own criteria for punishments equivalent to the crime. Of course, it can be argued that race and ethnicity can creep into the issue when judges are allowed to have a lot of discretion with regard to sentencing but that issue can also be monitored by the higher courts to ensure that the sentencing remains fair and transparent. Undoubtedly, the transparency of the justice system is also hurt by the idea that prosecutors may manipulate the accused to get plea bargains and thus avoid trials in the first place (Murphy, 2004). In certain situations, the laws not only cause the crime to be enhanced in a crime, they may even double the minimum time which is mandated by the law. For

Business - ethics Essay Example | Topics and Well Written Essays - 250 words

Business - ethics - Essay Example this was dishonest, Frank replied that each firm had told him to submit his expenses and that therefore he was not taking something to which he had no right. One firm had not asked for receipts, so he determined it was making him a gift of the money. The problem is that Frank is committing fraud by telling the companies that he has expenses of $1000 because whenever his expenses have been paid by either company, the other company has no obligation to pay for expenses that do not exist. 3) Frank Waldron could return half of each companys money, telling the companies he intentionally requested payment from both companies and accept one the offers that have already been extended, thus discontinuing this fraudulent practice. Solution 1. The solution impacts Frank Waldron directly as he would likely become unable to secure a job due to his fraud. Next the Eastern State University placement office would be affected as their reputation with the companies would be tarnished since the fraud was perpetrated under their noses. Finally the companies are affected and would implement ways to prevent this from happening again thus putting red tape up for every new interviewee who might have legitimate

Middle East changing demographics and its effect on us national Case Study

Middle East changing demographics and its effect on us national security - Case Study Example The same organization was involved in WTC attacks of 9/11. Osama Bin Laden urges the Muslims, living in the pole-apart regions of the world, to take notice of the heinous crimes being committed by the Judo-Christian Alliance ruling over the world through the USA, Israel and their allies. He instigates the sentiments of the Muslims by reminding them the atrocities and cruelties have been being exercised against them since long in almost all countries and states. He alludes to the series of tortures applied by the non-Muslims upon the Muslims in the Russian territories, the CARS, Chechnya, Bosnia, Kashmir, Afghanistan, Iraq, Palestine, Lebanon and other parts of the globe. He argues the very fact that the Muslims are looked down upon in Europe and are seriously suspected in the USA and Australia as well as the rest of the west. Since the atrocities of the non-Muslims are increasing day by day, jihad is the only way to eradicate these violations of Muslim rights and break into their powerful network. Bin Laden cites the holy verses of the Noble Quran, where the Muslims have been urged and invoked to strive against the evil wherever they find it within their environment. In other words, Bin Laden states violent struggle against the infidels as the jihad, which is the essential pillar of the faith of Islam. The Jews and Christians have inflicted lots of pains and sufferings upon the Muslims and apply social and cultural injustices and discriminations on the basis of their age-old biased ness and prejudice against Muslim. Since there is no possibility of stopping the Jews and Christians from displaying their atrocities on helpless Muslims, jihad (i.e. terrorist attack) is the only way to...Rather, she is eager to sustain her domination over all the economies of the world, and implement her own political and economic order on all independent states. Consequently, some of the racial and religious groups started a revolt against the US policies, which resulted in a state of constant conflict all over the world. Being the centre of warring religious groups, the Middle East turned out the worst possible land for the US dreams, and the fast changing demographic and strategic situation of the region left negative impact on the USA, where the USA had to allocate a huge amount of men, money and resources in order to subjugate the rebel forces. It applied negative affects on the US economy by putting it into the state of jeopardy. Before embarking upon the topic under study, it would be advisable to elaborate the Middle East and the terrorist organisation of Al Qaeda in brief. It has aptly been observed that geographical boundaries, strategic position, economic conditions and security strength determine the level of strengths of a nation, and the international community develops its relations with the nation keeping in view all these factors and assessments. Dakake, on the contrary, maintains quite different opinion of jihad. He associates jihad with mere strife against the evil temptations of the satanic forces. Jihad does not mean, according to him, the aggressive attitude and violence against one’s enemies.

Judaism and Hinduism Essay Example | Topics and Well Written Essays - 500 words

Judaism and Hinduism - Essay Example Religions exist around the world the world to guide the spirituality of people. They tend to explain the source of everything and life after death. They guide people with their morals and beliefs (Clack and Clack 2). Two of the religions are Judaism and Hinduism which are two of the oldest major religions in the world. The history has proven their credibility in providing the path toward enlightenment for the believers as they have millions of followers. Similarities and Differences Judaism began 4000 years ago as a Middle East religion and its people are known as Jewish. As centuries passed, many Jews or Jewish people had lived in various nations at present; they cover over 100 countries (Faelli 5). On the other hand, Hinduism is another religion that exists since 3,000 or more years in the past. The people of that religion are called Hindus who once lived along a river in India. The famous Indus River became Hindu to describe that group of people. The Hindus have varying beliefs but many similarities classify them under the religion they call Sanatan Dharma (Symmons 4). Both religions exist for a long time but they started from different places. The comparison of the two religions would be seen in the succeeding paragraphs.

Globalization case Study Example | Topics and Well Written Essays - 500 words

Globalization - Case Study Example However, this assumption is not true as the social dynamics witnessed in Tunisia has revolutionized this conservative thought and new behaviors have been adopted. As at 2013, 32% of the whole population of Tunisia had taken alcohol by 40 years and this implies that the few existing factories cannot sufficiently meet the existing demand (Angel-Urdinola, 2015, p.112). The company seeks to use this entry market strategy so as to sell its wine and spirits products owing to the cultural and political environment in Tunisia may not be that favorable to set a manufacturing company at the moment. The country is, in most cases, marred with constant violence and interreligious wars animosity (Angel-Urdinola et al., 2015, p.67). The deep-rooted Arabic culture and language may not also favor foreigners who have little or no mastery of this environment. It is, therefore, advantageous if the manufacturing industry is set in a different country and goods supplied to consumers through intermediaries based in Tunisia who understand the diversities of the local market. This strategy will largely help to solve the global local dilemmas that the country is likely to face such as cultural issues, language barriers, lack of raw materials and political interferences among others as the intermediaries are able to come in between the producer and the consumer and facilitate free flow of the products. The agents are able to effectively inform both the buyer and the exporter about issues concerning the products based on first-hand research (Hisrich, 2010, p.98). Tunisia’s policies on trade instruments such as tariffs, quotas and taxes among others simplify the business process. There are limited stringent rules that block foreign investors as the government encourages international investment to promote the economy. There are no meaningful barriers to market

Service Operations Management - Celebrity Cruises Case Study

Service Operations Management - Celebrity Cruises - Case Study Example Celebrity Cruises has an ambiguous strategy for marketing that lacks focus in attracting new customers and improving the loyalty of previous customers. First, celebrity Cruises must start by identifying clear marketing positions to source for additional potential customers. Secondly, their customer service is also failing them. Additionally, their services are getting old and need to be revitalized to attract new customers. Finally, their product also lacks consistency. To deal with these issues, Celebrity Cruises must alter its marketing strategy to place more emphasis on customer service. Pricing also requires to be changed to emphasize upgrades with added value rather than dollars off discounts. Finally, the employees need to be re-trained in customer service provision. Background The Chandris Group started celebrity Cruises in 1989 in Greece, originally as a shipping company. The company merged in 1997 with Royal Caribbean International to form the Royal Caribbean Cruises Ltd. in order for the two companies to target their particular market segments, the parent company decided to separate the two brand companies’ operations and marketing. Royal Caribbean Cruises Ltd. ... However, given the highly competitive nature of the cruise shipping line industry, the marketing strategy employed by celebrity Cruises is, at best, indistinct since it finds it difficult to find ways of creating and maintaining customer loyalty while also working towards increasing revenues. Problem Statement Celebrity Cruises is in possession of a marketing strategy, which is ambiguous and that has no focus on attracting customers and fumbles with increasing or improving customer loyalty. Analysis Celebrity Cruises needs to develop aspects of their operations, as well as transform them if they are to increase their market share (Vogel et al 22). First, celebrity Cruises must start by identifying clear marketing positions to source for additional potential customers. While Celebrity cruises has done a commendable job in appealing to their prospective customers, their marketing initiatives still require to be fine-tuned and implemented. Celebrity cruises needs to be able direct their efforts at marketing towards the correct market segment, which, in this case, is the multi-generational market and baby-boomers market. Baby boomers make up a large population of United States with one-fourth of the population in the US being aged between forty two and sixty in 2006 (Vogel et al 24). Celebrity Cruises is also missing out by choosing not to market to the people in the thirty to forty age bracket. While this has the ability to alienate the older crowd who like travelling on cruise ships, there will be some classy ones in this generation who are already used to dining in fine restaurants and knowledgeable in theater etiquette. For this generation

The key features of situation ethics Essay Example for Free

The key features of situation ethics Essay Examine the key features of situation ethics. Then outline the main weaknesses of situation ethics. How far do these lead to a rejection of the theory? Despite the view of Kant, and many Christian people, that it is not ethical to only act after assessing the implications of a moral action, since the 1960s a view that situation ethics is an effective way to judge an action and its consequences has emerged in the secular community. However, it is also necessary to acknowledge the Christian ethos in order to fully make a decision on the ethical viability of something in such an ephemeral world. Situation ethics is a theory most commonly associated with the work of Joseph Fletcher, an American professor and one of the key pioneers in bioethics, and J.A.T. Robinson, a New Testament scholar, author and a former Anglican bishop of Woolwich. Fletcher wrote a book called Situation Ethics, which was published in 1966, a time when the ephemeral nature of the country was highly accentuated by political matters; Women were more commonly going to work, following the suffrage movement before the war and their valued contribution to the war effort during it, President John F. Kennedy of the United States had been assassinated and there was a large amount of shock and horror surrounding the brutal Vietnam war. Furthermore, Martin Luther King had left his legacy at this time, even though it would be many years before the divisive pre-civil rights attitudes and laws were truly shaken off, and the sexual revolution that occurred in the 1960s, where the invention of the pill came about, and sexual promiscuity was finally accepted. Also, the emergence of the teenager, a concept that had not been acknowledge before as a type of person with his or her own music, fashion and politics, the consequential growing power of the student movement and the rebellious spirit of the rock and roll culture that went hand in hand with the aforementioned new young adults power, when combined with the other reasons mentioned above, all meant that the scene was set for a radical shift in the social power base. The church, in particular, did not see this impending shift in power as an appealing prospect. The British Council of Churches in 1964 appointed a Working Party that set out to Prepare a Statement of the Christian case for abstinence from sexual intercourse before marriage and faithfulness within marriageand to suggest means whereby the Christian position may be effectively presented to the various sections of the community. They wanted to convey a sane and responsible attitude towards love and marriage in the face of the misleading suggestions conveyed by much popular literature, entertainment and advertising. They also observed that a widespread feeling, especially among Christian people, that recent years have witnessed a general lowering of moral standards, and that this is particularly evident in the realm of sexual behaviour. The Church put much emphasis on a report called The Sexual Behaviour of Young People by Michael Schofield, saying that they wanted to reassess where Christian moral truth lay. The report was conducted in 1965, and concluded that in the 1960s young people were exposed to these factors; greater independence; more money in their pockets and purses; the weakening of family bonds and religious influences; the development of earlier maturity physically, emotionally and mentally; the impact of modern books, television, periodicals. 1963 saw the publication of an extremely controversial book that threw the Church into disarray and disagreement. J.A.T. Robinsons Honest to God is a theological text in which the author challenges the traditional view that God is watching over the world as a supreme power in a three-storied universe, instead suggesting, in conjunction with Paul Tillich, a German-American theologian and Christian existentialist philosopher, that God should be understood as the ground of our being as opposed to a deux ex machine, a phenomenon that cannot be explained, which influences and interferes with the world while remaining detached from it. This book was also in support of the new morality outlined in Joseph Fletchers article The New Look at Christian Ethics published in the Harvard Divinity Bulletin before the more famous Situation Ethics book. Fletcher had written in this that Christian ethics is not a scheme of codified conduct. It is a purposive effort to relate love to a world of relativities through a casuistry obedient to love. In other words, the new Christian morality for man come of age, a phrase coined from Dietrich Bonheoffer, was not based on law, or rather, perhaps, on one law only: the law of love. To illustrate their beliefs on new morality over old, both Fletcher and Robinson cited the examples of Jesus and the Pharisees, which were meant to exemplify new morality and old morality respectively. Whilst the Pharisees elaborated the Torah to accommodate every possible situation, the example of Jesus say You who are not guilty of sin may cast the first stone in John 8:2-11, after a woman who had been caught in adultery was sentenced to stoning. This is an example of Jesus demonstrating love, passion and integrity and showing the weakness of using absolute laws as a meaning of judging individual moral cases. Fletcher further observed that Bultmann [A German theologian] was correct is saying that Jesus had no ethics if we accept, as I do not, that his definition of ethics was a system of values and rules intelligible for all men. This gives the implication that a system of moral codes is unnecessary. Both Fletcher and Robinson acknowledged that the shift from a supranaturalist view of ethics to a situationalist or existentialist view of ethics would not be universally popular. This was shown as early as 1956 when the Pope Pius XII anticipated this, and consequentially banned the view from all seminaries. Protestants, however, were equally suspicious, as they realised it meant that nothing can be labelled as universally good or bad. However, Robinson argued the only way to deal with situations was situationally, not prescriptively. He said Whatever the pointers of the law to the demands of love, there can for the Christian be no packaged moral judgements for persons are more important even than standards. Robinson argued that a situationalist view should be applied to divorce law. Questioning the conservative view that marriage created a supernatural, unbreakable bond between two people, he argues that the metaphysical bond that binds two people in marriage can be broken through divorce depending on the situation surrounding it. In the book Honest To God, Robinson wrote It is not a question of Those whom God hath joined together let no man put asunder: no man could if he tried. For marriage is not merely indissoluble: it is indelible. He believed that it was potentially damaging and out-dating to believe that divorce was an impossibility. He thought it was time for humans to seek liberty from such supernaturalism thinking, and be ready to leave behind the restrictions of the old moral law if love was best served by so doing. Fletcher and Robinson identified agape love, a term used to distinguish the different types of love known as agape, philia, storge and eros, as the only intrinsically good thing, and it was defined by William Barclay as unconquerable good will; it is the determination to seek the other mans highest good, no matter what he does to you. Insult, injury, indifference it does not matter; nothing but good will. It has been defined as purpose, not passion. It is an attitude to the other person. This kind of love is highly demanding or, as Barclay suggested, a highly intelligent thing. It is not random, fatalistic, romantic love that cannot be demanded. Rather, agape love is required of one human being to another, and demands that the whole personality be involved in a deliberate directing the will, heart and mind. To employ agape, it is conceivable that laws must be put aside, although this may leave many legalists and supernaturalisms without a reliable foundation on which to maintain their position of moral superiority. Fletcher wrote If the emotional and spiritual welfare of both parents and children in a particular family can be served best by a divorce, wrong and cheapjack as divorce commonly is, then love requires it. Joseph Fletcher identified three approaches to morality: Legalism, a conservative, rule-based morality like that of the Pharisees, or as Fletcher said, a morality in which Solutions are preset, and you can look them up in a book a Bible or a confessors manual; Antinomianism, the polar opposite of legalism which means that no rules or maxims can be applied to a moral situation; and situationism, a midway decision between the other two positions, or, as stated in Situation Ethics, The situationist enters into every decision-masking situation fully armed with the ethical maxims of his community and its heritage, and he treats them with respect Just the same he is prepared in any situation to compromise them or set them aside in the situation if love seems better served by doing so. Fletcher developed his theory by drawing on a wide range of cases that could not be resolved by applying fixed rules and principles; for instance, the famous case of Mrs Bergmeier who deliberately asked a Russian prison camp guard to make her pregnant so she could be released to return to her family in Germany. Furthermore, Fletcher even developed four presuppositions of situation ethics: Pragmatism, which demands that a proposed course of action should work, and that its success or failure should be judged according to the principle; Relativism, which rejects such absolutes as never, always, perfect, and complete; Positivism, a concept which recognizes that love is the most important criterion of all; and finally personalism, a concept which demands that people should be put first. He then went on, developing his opinion on how agape love should be understood conceptually, and how it should be applied as a theory in situation ethics. He said that not only is love always good, but that it was the only norm, appealing to Jesuss teaching in Mark 12:33 that the most important commandment is to love God and love your neighbour. Hr also said that love and justice are the same, and love is justice distributed, that love is not liking and always wills the neighbours good and that situation ethics is a teleological theory that identifies the ends or the outcome of the actions as the means of assessing its moral worth. Finally, he said that because there is no way of knowing in advance whether something is right or wrong because every situation is different, the situationist must be prepared to make every moral decision afresh. Some believers believe that morality consists of obeying the commands of God as directly revealed by him through scripture and the Church. They believe that what is morally good and what is morally bad is pre-determined by what God has said through scripture and other means, and that to contradict the views of God is to be immoral and bad. This view was backed up by Kant in his deontological approach to ethics, as he said that moral rules are good in themselves and should be obeyed irrespective of the consequences. Professor Gordon Dunstan also agreed with this, saying It is possible, though not easy, to forgive Professor [Joseph] Fletcher for writing this book, for he is a generous and loveable man. It is harder to forgive the SCM Press for publishing it. In contrast to Fletcher, William Barclay adopted a conservative view on Christian ethics, challenging the so named new morality of Fletcher on several grounds. He argued that it is highly improbable for someone to be presented with the extreme circumstances presented by Fletcher, so it is not reasonable to base the principle of situation ethics on these such matters. He wrote in Ethics in a Permissive Society, It is much easier to agree that extraordinary situations need extraordinary measures than to think that there are no laws for ordinary everyday life. He also suggests that Fletcher overestimates the value of being free from rules and the constant decision-making processes that this forces humans into. If it were the case that agape could always be fairly and accurately dealt out, then laws would be redundant. As it is, there are no such guarantees, and so a degree of law is necessary for human survival. Barclay believes that law is essential for a variety of reasons: because it clarifies experience; because it is the means by which society determines what a reasonable life is; because it defines crime; because it has a deterrent value, and because it protects society. He also says that Fletcher was unrealistic in his observation on how truly free humans are to make decisions and judge the moral worth of something when not shackled by any laws. Barclay particularly emphasises that law ensures that humans do not make an artificial distinction between public and private morality, and was quoted as saying A man can live his own life, but when he begins deliberately to alter the lives of others, then a real problem arises, on which we cannot simply turn out backs, and in which there is a place for law as the encourager of morality. In summary, Barclay criticised Fletcher for his miscalculated optimism about the ability of humans to be morally good while remaining free of personal prefere nce and consequential bias. How can we arbitrate a case in which two people reach different conclusions about an action, yet both claim to be acting in the interests of love? In the same year that the scandalous Honest to God by J. A. T. Robinson came into publication, Susan Howatch composed a novel named Scandalous Risks in which a number of characters face moral dilemmas, and attempt to examine each of these while conceptually following situation ethics. In one scene we see a character called Venetia seeking the help of another called Father Darrow in an attempt to understand the way in which her romantic friend rationalises and conducts their relationship along the lines of situation ethics. The, so to speak, moral, of this story is that situation ethics is idealistic and cannot work, despite its obvious theoretical benefits. Rarely do our real-life situations conform to the neat solutions that would apparently be available to us if we applied the principles of ethical theory. An overall conclusion must be drawn from both parts a) and b) of this essay collectively. It seems that the argument is relatively balanced debating the validity of Robinsons and Fletchers approach to moral-decision making. It is commonplace to strive for the freedom to make choices situationally, whether or not it be within the framework of agape, although this is constrained by not only the law, but also by the moral judgment of others. In this age, when we might suppose that secularism and liberalism would have a stronger hold on religions than previously, organizations such as Silver Ring Thing and True Love Waits are encouraging young people to take a vow of celibacy, which infers a return to traditional sexual ethics. Perhaps, instead of offering a realistic answer to morally-challenging situations, situation ethics offers a tantalising alternative to structured and relatively inflexible law-based morality.

Influence of The Beggars Opera on Musical Theatre

Influence of The Beggars Opera on Musical Theatre Explore the ways in which The Beggars Opera influenced the development of musical theatre in the eighteenth and twentieth centuries. What were the reasons for its continued popularity? Intro The Beggars opera is an outstanding piece of writing, which has for centuries been an inspiration of talent to musical theatre everywhere. John gays piece has led to the creation of many different productions, that shall be talked about in more depth throughout the essay. The 18th Century is the obvious place to start, with the first production being staged in 1728 on 28 January . This is also where John Gays marked his place in History as a great Ballad Opera writer. Ballad Opera was a new Style of musical theatre made huge by its humorous satire, which could be related to by all types and classes of people, because of its satire on Italian Operas and British prime minister Walpole at the time. The play in its new and unique group managed to relate to a mass amount of people who found the humorous play to be so true in its own exaggerated wayWhen given the question (Explore the ways in which The Beggars opera influenced the development of musical theatre in the eighteen and twentiet h centuries. What were the reasons for its continued popularity?) there were certain aspects of the ballad opera which I needed to understand before answering the question. The Production, adaptations of the play, the stylistic aspects, the construction, and its popularity within the two Centuries are some of the key aspects needed to answer the question. The beggars opera and Its low-life settings were Taken and used in pieces like The Cobblers Opera, which is set in Billingsgate. Charles Johnsons The Village Opera ( 1729 ) started a trend for more emotional and more rural subject, which contained little satire or wit. None of these two operas came close to the success of The Beggars Opera. This waspartly to do with the fact Gay had used most of the best songs in the public domain.(footnote)The popularity of The ballad opera caused a lot of serious difficulties for The composers and Italian opera houses at the time including composers such as Handel. When the obsession had died, there were still shorter pieces of the same style which came onto the scene and became popular afterpieces of the Big shows.(footnote) These pieces were written In the early 1760s, they were unoriginal pieces of ballad opera. One called Thomas and sally(1760) by Arne, and one called Love in a village(1772) also by Arne. These were considered unoriginal becaus e only 5 new songs were written for the opera and some were taken from his previous works. (footnote) Bibliography and More Information about ballad opera R. Fiske , English Theatre Music in the Eighteenth Century (London, 1973, 2/1986) Y. Noble (ed.), Twentieth Century Interpretations of The Beggars Opera (Englewood Cliffs, NJ, 1975) Percy Scholes / Nicholas Temperley Only The Beggars opera is the only one out of the pieces that kept its popularity. It was a huge milestone of the 20th century for musical theatre, was an adaptation (probably the most well known of all that have been done) of the The beggars opera, The Threepenny Opera. The piece was inspired by The beggars Opera in its social message, using some of the same characters and even one of the songs. Composer Kurt Weill and playwright Bertolt Brecht changed old-fashioned opera and operetta forms, an incorporateda political view and the sound of 1920s Berlin dance bands and cabaret into the play. Weills harmonies and Brechts writing created a completely new musical theatre that inspired some of the most well known hits such as Chicago and cabaret. Mack the Knife, is one of the most well know tunes of the century, this is the opening song to the play.(footnote) The first night of Three penny opera was August 31, 1928. No one knew what to expect from the night, but not long in and everyone began to shout and cheer. The show turned out to be a brilliant success and the popularity spread throughout Europe. This started something huge. After the Berlin premiere, 46 stage productions of the work was generated because of the popularity from audiences. 1931 brought a film version to its audience, the film was called Die 3-Groschenoper. This made a an international star out of weills wife, Lotte Lenya. The opera, by 1933 had already been produced 130 times all over the world. The play really took off after the war when there was a New York production at Theatre de lys, this production was off Broadway. It ran from 1954 to 1961 and the show did a total of 2707 performance and was the longest running play in history a the time. The Threepenny Opera is still entertaining audiences all over the world. There are three cinematic versions of the work, made in 1931, 1963, and 1988. the music and story of The Threepenny Opera as stayed irresistible to audiences everywhere as they were in 1928. This adaptation of the beggars opera as you can see has had significant inspiration on musical theatre, and had a lot on early popular music of the 20th century. In America, ballad opera began with the importation of an English work, Flora, or Hob in the Well, which was given at Charleston, South Carolina, in 1735. The first American performance of The Beggars Opera itself took place in New York in 1750. Thereafter all the most popular English comic operas were quickly imported, and, indeed, for long they formed the sole operatic entertainment in the English colonies and successor states, since Italian and French opera did not reach that part of America until the 1790s, and no serious attempt to promote Italian opera was made until 1825 . Many writers of the time were sticking to Italian Opera, which were very serious 1953 brought forward a new light on the ballad opera turning it into a film. The film priemered in London on the 5th of June 1953, film1985, Musical theatre before The beggars opera was very different. During the 17th Century there was a period called interregnum, unfortunately this had an effect on musical theatre and During this time theatrical performances were forbidden under the Puritan government. After this period and when the restoration was finally over, there was a lot of changes to society. There was a lot of positive effects on the countrys performing arts, and because of the financial developments the balance of social classes came together. Londoners started to appreciate newer forms of artistic expression. They welcomed teachers of Italian and French to the city, as well as the many Continental musicians who arrived and settled there. An era began where Italian style was put above all other types of entertainment. The Italian castrato was a male singer who was trained to sing with soprano or alto voice. The Italian Castrato became very popular(footnote) John gay took a lot of his inspiration for the The beggars opera Productions an adaptations of The beggars opera since 1728 have been everywhere. I have taken a look at some of these since its first performance to show how much of a success it was even 250 years on, the influence on musical theatre has shown in many different types of opera. When John Gay took his new ballad opera to the manager of the famous Drury lane theatre, Colley Cibber, gay was unfortunately turned away. The main reason for Colley Cibbers choice was not ignorance, it was a perception of its political satire that made him refuse. If maybe The beggars opera was a bit more obtuse there would have been a bigger chance of Cibber accepting. The fact that Cibber had a Personal friendship with British Prime minister Walpole would probably have also played a big part in Cibbers decision, as he could not of found Gays Humour remotely comical.[i]Not long after Gays disappointment with Colley Cibbers Decision, Gay approached John Rich, the manager of another successful theatre called Lincolns Inn Fields. John Rich decided to take a chance on Gays work, However John Rich had his doubts and probably would have dropped it after its rehearsals if it wasnt for Gays friends who pressured him into continuing with the balled opera.[ii] John rich was so right in takin g on the piece and the widespread popularity of Gays Ballad opera led Rich to build Covent Garden, which today is the most famous Opera house in London.[iii] Gays main source of inspiration for the 69 Songs (in the original score there were 68 songs, one was added later by third edition) in his ballad opera were taken from a collection of songs and ballads written by Thomas DUrfey. The verses he wrote were mostly written to folksongs and favourite melodies. The book was published in 1700 in a songbook entitled, Wit and Mirth or pills to purge melancholy. John Gay selected many songs from this collection of popular music and wrote his own lyrics, so that the lyrics fitted in with his opera. Gay also had other sources which he borrowed from such as his contemporary composers Eccles, Barrett, Purcell, Clarke, and Handel, as well as using tunes from English, Scotch, and Irish folksongs. The music in the ballad was collected and the arranged to fit. The chosen songs included a range of popular styles at the time, from jigs to hymn-like tunes. German composer and music Director of Lincolns Inn Fields Theatre Dr. Pepusch Also participated in the creation of the score, providing the overture and assisting in the orchestration of the opera.[iv] The first Performance of John Gays Ballet Opera The Beggars Opera was on stage in 1728, This performance attracted the acclaim and attention of the Popular audience in England. The first season of performances lasted for a total of 62 nights. The play received just as much applause in the next season of performances. It soon spread into a lot of the main towns in England, and also made its way to Wales Scotland and Ireland where it was made more popular. The woman who played Polly( Lavinia Fenton) became a favourite of many different people. The ballad opera became that successful it drove Italian opera out of England for the whole season. Italian opera had carried Musical theatre for 10 year prior to this completely new style, I see as Experimenting at the time, as it was completely out of the norm. The 62 consecutive nights seems like a huge amount to be doing nowadays, but back in the 18th Century however this was quite normal for the actors to be doing. Years later the Opera was performed internationally in Dublin, Jamaica, Glasgow, New York. In America The beggars Opera was one of the earliest musical comedies Produced.[v] The Opera popularised this new form of stage entertainment which was known as balled opera. Balled opera changed Operas standard Upper-class audience and had attracted and combined the likes of lower-class, middleclass and Upper-class followings. Londoners really loved the realism and satire in the ballet opera, I think it was something that everyone at the time could relate to, which maybe why it attracted such a wide range of different minded and different classed people. Audiences would leave the theatre talking about the opera and singing the familiar tunes. There is a lot of evidence to show its popularity in the 18th Century, one being the book trade. This was highly increased because of Its controversial subject matter and satire. Other evidence showing its popularity was that every year after 1728 The beggars opera was performed every single year of the 18th Century.[vi] The Beggars Opera was premiered on January 29, 1728 at John Richs theatre at Lincoln-Inn-Fields and had an overwhelming amount of success. A newspaper at the time, The Craftsman(London weekly) ran this short piece: February 3, 1728 This Week a Dramatick Entertainment has been exhibited at the Theatre in Lincolns-Inn-Fields, entitled The Beggars Opera, which has met with a general Applause, insomuch that the Waggs say it has made Rich very Gay, and probably will make Gay very Rich. The reference to Rich above refers to John Rich, the manager of the Lincolns Inn Fields theatre. February 17, 1728 We hear that the British Opera, commonly called The Beggars Opera, continues to be acted, at the Theatre in Lincolns-Inn Fields with general Applause, to the great Mortification of the Performers and Admirers of the Outlandish Opera in the Haymarket.[vii] The piece written shows how the play was a hit, and happened in such a small amount of time. People from everywhere wanted to see the play because It was the talk of the town. The huge success of The Beggars Opera has retained its popularity for over 200 hundred years, which forms a record in dramatic productions. Every generation brings new applause and the causes for its popularity change each generation, John gay probably didnt expect such a major interest in his work and maybe didnt think it would become as popular as it has. Im sure it would have shocked him that the piece was performed 62 nights in a row at one of the most well known theatres at the time. Gay at the time most definitely would have been expecting some abuse over the satire contained in the opera but he would not of been expecting the creation of the characters Macheath, his gang, and women followers would be criticized, and made into something more serious.[viii] The ballad opera has become so influential that critics by now tend to assume that complicated irony is Pervasive and thoroughgoing in the language of the play. Ironic double-meaning is understood to provide a key to correct reading of Gays satire, which in its ambiguity and uncertainty is modernistic.[ix] The first imitation of The beggars opera was by Tomas Cooke and johnJohn Mottleys ballad opera Penelope-the odyssey story set in England, this was also in 1728. The opera only ran for 3 night which had nothing on Gays piece.[x] Another production of the beggars opera was the 1985 Performances at 1985 brought forward lots of production of the ballad opera, and it marked Johngays In 1985 this Catchy News paper article, shows how popular The beggars opera was and how popular is was still in 1985. Beggars Banquet Dramatic and musical flexibility and vitality make John Gays 1728 Musical comedy an indestructible theatrical creation During the 18th Century Musical theatre Except in Air 34, where Pepusch used P.G. Sandonis original bass for the latters setting of Gays own song-text Sweet Williams Farewell to Black-eyd Susan. Also, in Air 20 (Handels march from Rinaldo) and Air 41 (Purcells song If loves a sweet passion), Pepuschs bass line is similar to the composers own. For further details, see my edition, p.108. ) Arrangements of the The rearranging of the songs in The beggars be traced back to the first performance in 1728. The existing tunes John gay had chosen for his play, were taken by arranger John Christopher Pepusch and instead of him taking earlier harmonized version of the songs, he added his own basses.(footnote)  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  In 1729 the basses were published, this was the third edition of the work. The first two edition only include the tunes.( The songs were unlike John Pepuschsfully-scored overture written for two oboes and string, and there printed on two staves. The staves lack any instrumental introductions or codas.(footnote) Other sources show evidence that there was a standard method for arranging the songs. Scoring was for unison violins and continuo, and instrumental introduction and codas copied the opening and closing bars of the song itself.(footnote) When the third edition was introduced it was used as a basis for arrangements until late into the 19th century. However, in the second half of the 18th century, many London revivals began to try out new arrangements for the musical, the most significant version is Thomas Linleys of 1776. All of the arrangements have not been published. In 1769 there was an edition of the ballad opera published with a misleading title page: THE BEGGARS OPERAwith the Additional Alterations byDr ArneThe Basses entirely New.(footnote) The publisher hoped the audience would think that the basses entirely new were part Dr Arnes additional alterations, The truth is the pieces were far to poor to be his work, as it contained too much harmonic for the speed of the tunes. This gave a different spin on the musical but didnt contain the right ingredients, that made gays version what it is. Compared to Pepuschs simple but very effective bass the Arne version omitted some of the songs from the piece, some were transposed and part of the writing is introduced into ensemble numbers. (footnote) Arrangements of ballad operas [i] Colley Cibber: a biography by Helene koon. 1986- 242 pages. Page 118. [ii]www.umich.edu/-ece/student_projects/beggars-opera (the first production) [iii] Colley Cibber: a biography by Helene koon. 1986- 242 pages. Page 118. [iv] www.umich.edu/-ece/student_projects/beggars-opera (the first production) [v] [vi] Introduction to the beggars opera by [vii] The craftsman Newspaper article- February 3rd 1728 This Week a Dramatick Entertainment has been exhibited at the Theatre in Lincolns-Inn-Fields, entitled The Beggars Opera, which has met with a general Applause, insomuch that the Waggs say it has made Rich very Gay, and probably will make Gay very Rich. The reference to Rich above refers to John Rich, the manager of the Lincolns Inn Fields theatre. February 17, 1728 We hear that the British Opera, commonly called The Beggars Opera, continues to be acted, at the Theatre in Lincolns-Inn Fields with general Applause, to the great Mortification of the Performers and Admirers of the Outlandish Opera in the Haymarket. [viii] [ix] Peter Lewis, The uncertainty principle in the beggars opera Durham University Journal 41 (1980) 143-6 [x] The Cambridge history of British theatre Volume 2: 1660 to 1895. 6. The beggars opera: a case study CALHOUN WINTON. Page 126.

Parental Involvement in Education Essay -- Parent Involvement in Educat

Parental Involvement Parent Involvement has been an issue in the United States since before the turn of the nineteenth century (Wallace). â€Å"Parent Involvement† and â€Å"parent participation† are nebulous terms because there is an array of parenting behaviors that this could include (Hickman). Either way you define it, parents must get involved. What many parents consider ‘being involved’ varies from family to family. No one is better placed or more qualified than parents to make a difference in their child’s academic and lifelong education (Bourquin). Parents are the vast resource that must be tapped to increase student learning (Hickman). Parents are their child’s first teacher. The elementary age is the most crucial time for parents to get involved in their child’s education. Nothing affects the academic outcome for a child as much as the involvement of a parent (Bourquin). Mom and Dad are the most influential position to shape their child’s future. Parents have a greater opportunity to make a difference, teach, model and guide their children’s learning more than anyone else (Bourquin). Involvement allows parents to communicate with teachers about their child’s learning style and characteristics. This allows teachers to do a better job teaching the child, giving them a better opportunity for success (Heffer). The support of a parent is the single most important factor in predicting success in school for young children (Bourquin). Parents who make it a point to get involved with the child’s education are communicating the importance of education to their child (Heffer). There are a variety of ways in which a parent can get involved. This can range from at home help and encouragement with homework, attending athletic ... ...e parents explaining what is going on in the classroom and upcoming events that parents can attend. (Hopkings) Parent involvement affects all aspects of a child’s education. Parents must be involved as teachers, learners, supporters, and advocates of their child’s learning (Hopkings). Studies show that kids who know that their parents are involved and interested tend to take more responsibility for their own learning and behavior. Schoolwork and grades improve. Work habits improve. Less work is handed in late. Fewer referrals for behavior problems are made. Attendance increases, and fewer kids show up late for class (Hopkings). With all this information documented it shows the true importance of parent involvement in education. The more involved the parents are, the better off each child will be. So when you become a parent, get involved in your child’s education!

Book Review On Tavriss The Mis Essay -- essays research papers

Carol Tavris’s The Mismeasure of Women offers the reader insight into the inequality and problems women face in society. I approached this book with the assumption that it would glorify women and belittle men. I figured that the author would blame all the problems women face on men. After completing the book I had a very different opinion. The author looked to society for the actual source of women’s inequality and never placed the blame on any one group of people. The book explains that although there are differences in the behavior of men and women in certain situations both types of behavior are equal and for the most part influenced by society. It is for that reason I recommend The Mismeasure of Women for both male and female readers. It offers a wealth of information and insight that would benefit society as a whole, as well as, the relationships between men and women. To help explain my recommendation and reasoning it is necessary to take a short look at what the book is saying. The book starts off by talking about the various reasons society feels women to be inferior to men. It seems to be built into our modern society to view men as the norm. Tavris explains early in the book about the experiments that were set up to study the male and female brain. The scientist’s were trying to prove that the male brain is superior to the female brain. The results were usually not what the scientist expected and were often never published. It was found in the study of the brain and almost all other areas where men and women are thought to differ that the male and female are alike in more ways that they are different. Tavris’s The Mismeasure of Women shows that point very clearly, “Thus, one must not overlook perhaps the most obvious conclusion, which is that basic patterns of male and female brain asymmetry seem to be more similar than they are different'; (Tavris 55). The book points out that many of the stereotypes about women’s behavior are untrue. One of the most important examples of this is the notion of PMS and other so-called women’s disorders. Tavris points out that many of the normal body workings of women are now looked at as disorders needing treatment. The author feels that this further makes the male the norm of society because society fails to turn male behavior and body functi... ... feminine behaviors are influenced and created by society can also be backed up from sociology lectures I have attended. Overall the books arguments are consistent with many other arguments on the same general subject. I spent a great deal of time looking for any point or idea the author left out that could be of vital importance for this book. I came up with nothing. The book presents all the information needed to effectively portray and defend the arguments. I found no area of the book that needed added support and/or thought. I found the areas dealing with women in the military and the workplace to be very well supported. I have known women in the military and they were very pro-war contrary to belief. Carol Tavris’s The Mismeasure of Women offers the reader insight in to the true cause of so-called women’s problems. It provides both men and women with the information to improve relationships between lovers, co-workers, friends and family members of the opposite sex. It increases the awareness of societies influence of the behaviors of men and women without putting the entire blame on any one group of people. In general I recommend this book for all people.

Virtues Of My Life: Order, Courage, Patience :: essays research papers

Virtues of My Life: Order, Courage, Patience In order to survive in 1996, there need to be at least some standards and goals of morality in a person's life. Moral excellence is definitely hard to achieve, but is definitely something to attempt. Personally, there are many distractions and obstructions the present day provides, creating a difficulty of direction in my own life. I need to overcome obstacles such as peer pressure in order to become a confident, successful person. The present day provides impediments which I believe I can overcome by way of morality and virtue. Order, courage, patience, and faith are all virtues necessary for personal achievement in my life. The first virtue I have chosen is order. In agreement with Russell Kirk, I also believe that "order is the path we follow, or the pattern by which we live with purpose and meaning." Order is something that directs in our everyday lives, a working condition we cannot live without. Without order there is chaos, and with chaos there is room for little virtue. Order is important because it provides life with stability and direction. As an example of a personal order, the school schedule which governs my academic studies is a type of order, setting specifics of where and when I should be. Order helps in my life if I am able and willing to create a schedule for each day, specifically stating when I should be doing what. If I can achieve order in my own life, worries and concerns will be eliminated by means of order that will easily become habit. Russell Kirk also states, "Order is the first need of the soul. It is not possible to love what one ought to love, unless we recognize some principles of order by which to govern ourselves." Because of the needs of our soul, I again agree with Russell Kirk that religion, morality itself, and our everyday feelings are derivatives of order. Nothing can be achieved without some sort of order, but we must first recognize that the things we desire can be achieved only by gaining order. Order is truly the first need of human life. Courage is the second virtue I have chosen. Courage is a virtue needed to conquer fear or despair. The virtue of courage is important because it can be applied in numerous situations. If people possess courage, they can be strong and stable in situations where they might feel uncomfortable. Since there are many things in life which are stressful and unfamiliar, such as apprehension of the first day on a job, first day at a new school, or what you

The Vampire Diaries: The Struggle Chapter Fourteen

Bonnie shivered as she waited outside the tall Victorian house. The air was frosty this morning, and although it was almost eight o'clock the sun had never really come up. The sky was just one dense massed bank of gray and white clouds, creating an eerie twilight below. She had begun to stamp her feet and rub her hands together when the Forbes' door opened. Bonnie moved back a little behind the shrubbery that was her hiding place and watched the family walk to their car. Mr. Forbes was carrying nothing but a camera. Mrs. Forbes had a purse and a folding seat. Daniel Forbes, Caroline's younger brother, had another seat. And Caroline†¦ Bonnie leaned forward, her breath hissing out in satisfaction. Caroline was dressed in jeans and a heavy sweater, and she was carrying some sort of white drawstring purse. Not big but big enough to hold a small diary. â€Å"There she is, Aunt Judith. On the corner.† The car slowed to a halt, and Bonnie slid into the back seat with Elena. â€Å"She's got a white drawstring purse,† she murmured into Elena's ear as Aunt Judith pulled out again. Tingling excitement swept over Elena, and she squeezed Bonnie's hand. â€Å"Good,† she breathed. â€Å"Now we'll see if she brings it into Mrs. Grimesby's. If not, you tell Meredith it's in the car.† Bonnie nodded agreement and squeezed Elena's hand back. They arrived at Mrs. Grimesby's just in time to see Caroline going inside with a white bag hanging from her arm. Bonnie and Elena exchanged a look. Now it was up to Elena to see where Caroline left it in the house. â€Å"I'll get out here too, Miss Gilbert,† said Bonnie as Elena jumped out of the car. She would wait outside with Meredith until Elena could tell them where the bag was. The important thing was not to let Caroline suspect anything unusual. Mrs. Grimesby, who answered Elena's knock, was the Fell's Church librarian. Her house looked almost like a library itself; there were bookcases everywhere and books stacked on the floor. She was also the keeper of Fell's Church's historical artifacts, including clothing that had been preserved from the town's earliest days. Just now the house was ringing with young voices, and the bedrooms were full of students in various stages of undress. Mrs. Grimesby always supervised the costumes for the pageant. Elena was ready to ask to be put in the same room with Caroline, but it wasn't necessary. Mrs. Grimesby was already ushering her in. Caroline, stripped down to her fashionable underwear, gave Elena what was undoubtedly meant to be a nonchalant look, but Elena detected the vicious gloating beneath. She kept her own eyes on the bundle of clothing Mrs. Grimesby was picking up off the bed. â€Å"Here you are, Elena. One of our most nicely preserved pieces – and all authentic, too, even the ribbons. We believe this dress belonged to Honoria Fell.† â€Å"It's beautiful,† said Elena, as Mrs. Grimesby shook out the folds of thin white material. â€Å"What's it made of?† â€Å"Moravian muslin and silk gauze. Since it's quite cold today you can wear that velvet jacket over it.† The librarian indicated a dusty rose garment lying over a chair back. Elena cast a surreptitious glance at Caroline as she began to change. Yes, there was the bag, at Caroline's feet. She debated making a grab for it, but Mrs. Grimesby was still in the room. The muslin dress was very simple, its flowing material belted high under the bosom with a pale rose. â€Å"Did it really belong to Honoria Fell?† she asked, thinking of the marble image of that lady lying on her tomb in the ruined church. â€Å"That's the story, anyway,† said Mrs. Grimesby. â€Å"She mentions a dress like it in her journal, so we're pretty sure.† â€Å"She kept a journal?† Elena was startled. â€Å"Oh, yes. I have it in a case in the living room; I'll show it to you on the way out. Now for the jacket – oh, what's that?† Something violet fluttered to the ground as Elena picked the jacket up. She could feel her expression freeze. She caught up the note before Mrs. Grimesby could bend over, and glanced at it. One line. She remembered writing it in her diary on September 4, the first day of school. Except that after she had written it she had crossed it out. These words were not crossed out; they were bold and clear. Something awful is going to happen today. Elena could barely restrain herself from rounding on Caroline and shaking the note in her face. But that would ruin everything. She forced herself to stay calm as she crumpled up the little slip of paper and threw it into a wastebasket. â€Å"It's just a piece of trash,† she said, and turned back to Mrs. Grimesby, her shoulders stiff. Caroline said nothing, but Elena could feel those triumphant green eyes on her. Just you wait, she thought. Wait until I get that diary back. I'm going to burn it, and then you and I are going to have a talk. To Mrs. Grimesby she said, â€Å"I'm ready.† â€Å"So am I,† said Caroline in a demure voice. Elena put on a look of cool indifference as she eyed the other girl. Caroline's pale green gown with long green and white sashes was not nearly as pretty as hers. â€Å"Wonderful. You girls go ahead and wait for your rides. Oh, and Caroline, don't forget your reticule.† â€Å"I won't,† Caroline said, smiling, and she reached for the drawstring bag at her feet. It was fortunate that from that position she couldn't see Elena's face, for in that instant the cool indifference shattered completely. Elena stared, dumbfounded, as Caroline began to tie the bag at her waist. Her astonishment didn't escape Mrs. Grimesby. â€Å"That's a reticule, the ancestor of our modern handbag,† the older woman explained kindly. â€Å"Ladies used to keep their gloves and fans in them. Caroline came by. â€Å"I'm sure it was,† Elena managed in a strangled voice. She had to get out of here or something awful was going to happen right now. She was going to start screaming – or knock Caroline down – or explode. â€Å"I need some fresh air,† she said. She bolted from the room and from the house, bursting outside. Bonnie and Meredith were waiting in Meredith's car. Elena's heart thumped strangely as she walked to it and leaned in the window. â€Å"She's outsmarted us,† she said quietly. â€Å"That bag is part of her costume, and she's going to wear it all day.† Bonnie and Meredith stared, first at her and then at each other. â€Å"But†¦ then, what are we going to do?† Bonnie asked. â€Å"I don't know.† With sick dismay this realization finally came home to Elena. â€Å"I don't know!† â€Å"We can still watch her. Maybe she'll take the bag off at lunch or something†¦Ã¢â‚¬  But Meredith's voice rang hollow. They all knew the truth, Elena thought, and the truth was that it was hopeless. They'd lost. Bonnie glanced in the rearview mirror, then twisted in her seat. â€Å"It's your ride.† Elena looked. Two white horses were drawing a smartly renovated buggy down the street. Crepe paper was threaded through the buggy's wheels, ferns decorated its seats, and a large banner on the side proclaimed,The Spirit of Fell's Church. Elena had time for only one desperate message. â€Å"Watch her,† she said. â€Å"And if there's ever a moment when she's alone†¦Ã¢â‚¬  Then she had to go. But all through that long, terrible morning, there was never a moment when Caroline was alone. She was surrounded by a crowd of spectators. For Elena, the parade was pure torture. She sat in the buggy beside the mayor and his wife, trying to smile, trying to look normal. But the sick dread was like a crushing weight on her chest. Somewhere in front of her, among the marching bands and drill teams and open convertibles, was Caroline. Elena had forgotten to find out which float she was on. The first schoolhouse float, perhaps; a lot of the younger children in costume would be on that. It didn't matter. Wherever Caroline was, she was in full view of half the town. The luncheon that followed the parade was held in the high school cafeteria. Elena was trapped at a table with Mayor Dawley and his wife. Caroline was at a nearby table; Elena could see the shining back of her auburn head. And sitting beside her, often leaning possessively over her, was Tyler Smallwood. Elena was in a perfect position to view the little drama that occurred about halfway through lunch. Her heart leaped into her throat when she saw Stefan, looking casual, stroll by Caroline's table. He spoke to Caroline. Elena watched, forgetting even to play with the untouched food on her plate. But what she saw next made her heart plummet. Caroline tossed her head and replied to him briefly, and then Stefan looked toward Elena as he left, and for a moment their eyes met in wordless communion. There was nothing he could do, then. Even if his Powers had returned, Tyler was going to keep him away from Caroline. The crushing weight squeezed Elena's lungs so that she could scarcely breathe. After that she simply sat in a daze of misery and despair until someone nudged her and told her it was time to go backstage. She listened almost indifferently to Mayor Dawley's speech of welcome. He spoke about the â€Å"trying time† Fell's Church had faced recently, and about the community spirit that had sustained them these past months. Then awards were given out, for scholarship, for athletics, for community service. Matt came up to receive Outstanding Male Athlete of the Year, and Elena saw him look at her curiously. Then came the pageant. The elementary school children giggled and tripped and forgot their lines as they portrayed scenes from the founding of Fell's Church through the Civil War. Elena watched them without taking any of it in. Ever since last night she'd been slightly dizzy and shaky, and now she felt as if she were coming down with the flu. Her brain, usually so full of schemes and calculations, was empty. She couldn't think anymore. She almost couldn't care. The pageant ended to popping flashbulbs and tumultuous applause. When the last little Confederate soldier was off the stage, Mayor Dawley called for silence. â€Å"And now,† he said, â€Å"for the students who will perform the closing ceremonies. Please show your appreciation for the Spirit of Independence, the Spirit of Fidelity, and the Spirit of Fell's Church!† The applause was even more thunderous. Elena stood beside John Clifford, the brainy senior who'd been chosen to represent the Spirit of Independence. On the other side of John was Caroline. In a detached, nearly apathetic way Elena noticed that Caroline looked magnificent: her head tilted back, her eyes blazing, her cheeks flushed with color. John went first, adjusting his glasses and the microphone before he read from the heavy brown book on the lectern. Officially, the seniors were free to choose their own selections; in practice they almost always read from the works of M. C. Marsh, the only poet Fell's Church had ever produced. All during John's reading, Caroline was upstaging him. She smiled at the audience; she shook out her hair; she weighed the reticule hanging from her waist. Her fingers stroked the drawstring bag lovingly, and Elena found herself staring at it, hypnotized, memorizing every bead. John took a bow and resumed his place by Elena. Caroline threw her shoulders back and did a model's walk to the lectern. This time the applause was mixed with whistles. But Caroline didn't smile; she had assumed an air of tragic responsibility. With exquisite timing she waited until the cafetorium was perfectly quiet to speak. â€Å"I was planning to read a poem by M. C. Marsh today,† she said, then, into the attentive stillness, â€Å"but I'm not going to. Why read fromthis – † She held up the nineteenth century volume of poetry. † – when there is something much more†¦ relevant†¦ in a book I happened to find?† Very slightly, almost imperceptibly, Stefan shook his head. Caroline's fingers were dipping into the bag as if she just couldn't wait. â€Å"What I'm going to read is about Fell's Churchtoday , not a hundred or two hundred years ago,† she was saying, working herself up into a sort of exultant fever. â€Å"It's importantnow , because it's about somebody who's living in town with us. In fact he's right here in this room.† Tyler must have written the speech for her, Elena decided. Last month, in the gym, he'd shown quite a gift for that kind of thing. Oh, Stefan, oh, Stefan, I'm scared†¦ Her thoughts jumbled into incoherence as Caroline plunged her hand into the bag. â€Å"I think you'll understand what I mean when you hear it,† Caroline said, and with a quick motion she pulled a velvet-covered book from the reticule and held it up dramatically. â€Å"I think it will explain a lot of what's been going on in Fell's Church recently.† Breathing quickly and lightly, she looked from the spellbound audience to the book in her hand. Elena had almost lost consciousness when Caroline jerked the diary out. Bright sparkles ran along the edges of her vision. The dizziness roared up, ready to overwhelm Elena, and then she noticed something. It must be her eyes. The stage lights and flashbulbs must have dazzled them. She certainly felt ready to faint any minute; it was hardly surprising that she couldn't see properly. The book in Caroline's hands lookedgreen , not blue. I must be going crazy†¦ or this is a dream†¦ or maybe it's a trick of the lighting. But look at Caroline's face! Caroline, mouth working, was staring at the velvet book. She seemed to have forgotten the audience altogether. She turned the diary over and over in her hands, looking at all sides of it. Her movements became frantic. She thrust a hand into the reticule as if she somehow hoped to find something else in it. Then she cast a wild glance around the stage as if what she was looking for might have fallen to the ground. The audience was murmuring, getting impatient. Mayor Dawley and the high school principal were exchanging tight-lipped frowns. Having found nothing on the floor, Caroline was staring at the small book again. But now she was gazing at it as if it were a scorpion. With a sudden gesture, she wrenched it open and looked inside, as if her last hope was that only the cover had changed and the words inside might be Elena's. Then she slowly looked up from the book at the packed cafetorium. Silence had descended again, and the moment drew out, while every eye remained fixed on the girl in the pale green gown. Then, with an inarticulate sound, Caroline whirled and clattered off the stage. She exploded into comment, argument, discussion. Elena found Stefan. He looked as if jubilation was sneaking up on him. But he also looked as bewildered as Elena felt. Bonnie and Meredith were the same. As Stefan's gaze crossed hers, Elena felt a rush of gratitude and joy, but her predominant emotion was awe. It was a miracle. Beyond all hope, they had been rescued. They'd been saved. And then her eyes picked out another dark head among the crowd. Damon was leaning†¦ no, lounging†¦ against the north wall. His lips were curved into a half smile, and his eyes met Elena's boldly. Mayor Dawley was beside her, urging her forward, quieting the crowd, trying to restore order. It was no use. Elena read her selection in a dreamy voice to a babbling group of people who weren't paying attention in the slightest. She wasn't paying attention, either; she had no idea what words she was saying. Every so often she looked at Damon. There was applause, scattered and distracted, when she finished, and the mayor announced the rest of the events for that afternoon. And then it was all over, and Elena was free to go. She floated offstage without any conscious idea ofwhere she was going, but her legs carried her to the north wall. Damon's dark head moved out the side door and she followed it. The air in the courtyard seemed deliciously cool after the crowded room, and the clouds above were silvery and swirling. Damon was waiting for her. Her steps slowed but did not stop. She moved until she was only a foot or so away from him, her eyes searching his face. There was a long moment of silence and then she spoke. â€Å"Why?† â€Å"I thought you'd be more interested inhow. † He patted his jacket significantly. â€Å"I got invited in for coffee this morning after scraping up an acquaintance last week.† â€Å"But why?† He shrugged, and for just an instant something like consternation flickered across his finely drawn features. It seemed to Elena that he himself didn't know why – or didn't want to admit it. â€Å"For my own purposes,† he said. â€Å"I don't think so.† Something was building between them, something that frightened Elena with its power. â€Å"I don't think that's the reason at all.† She moved closer, so that she was almost touching him, and looked at him. â€Å"I think,† she said, â€Å"that maybe you need to be pushed.† His face was only inches away from hers, and Elena never knew what might have happened if at that moment a voice hadn't broken in on them. â€Å"Youdid manage to make it after all! I'm so glad!† It was Aunt Judith. Elena felt as if she were being whisked from one world to another. She blinked dizzily, stepping back, letting out a breath she hadn't realized she was holding. â€Å"And so you got to hear Elena read,† Aunt Judith continued happily. â€Å"You did a beautiful job, Elena, but I don't know what was going on with Caroline. The girls in this town are all acting bewitched lately.† â€Å"Nerves,† suggested Damon, his face carefully solemn. Elena felt an urge to giggle and then a wave of irritation. It was all very well to be grateful to Damon for saving them, but if not for Damon there wouldn't have been a problem in the first place. Damon had committed the crimes Caroline wanted to pin on Stefan. â€Å"And whereis Stefan?† she said, voicing her next thought aloud. She could see Bonnie and Meredith in the courtyard alone. Aunt Judith's face showed her disapproval. â€Å"I haven't seen him,† she said briefly. Then she smiled fondly. â€Å"But I have an idea; why don't you come to dinner with us, Damon? Then afterwards perhaps you and Elena could – â€Å" â€Å"Stop it!† said Elena to Damon. He looked politely inquiring. â€Å"What?† said Aunt Judith. â€Å"Stop it!† Elena said to Damon again. â€Å"You know what. Just stop it right now!†

Defining the Humaniities Paper Essay

Humanities consist of humans and their ways of life starting from prehistoric to current cultural events. When one learns from past generations or civilizations one is better able to make wise decisions for the future. According to Georgia Humanities Council (2009-2013), â€Å"The humanities are stories passed from generation to generation to transmit culture. These stories are also known as our history, literature, laws, ethics, religion, philosophy, anthropology etc† (Why the Humanities Matter). This paper will be a discussion of humanities and give an insight of what humanities means as it is defined by various sources. I have chosen a cultural event from my life in which I will elaborate on to inform the reader of its importance in my own life and the culture around me. I will also show how this expression of culture and its relevant to what I know about the humanities, art, style, genius, and culture of the time period it represents. Last to be discussed is how the chosen expression of culture compares with other forms from the same time period. Humanities Defined  According to Humanities Council of Washington D. C. (n. d. ), † The Humanities are the disciplines that help us understand and define cultures, and human experience, including history, anthropology, literature, art history, ethics, philosophy and jurisprudence † (Humanities Council of Washington, D. C. – Functional Humanities). Humanities can help promote a culture or civilization’s heritage and history as well as its literature. Humanities also serve a vital role in community issues and help to promote one’s understanding of human values, traditions, issues faced by society. The term humanities according to The Congressional Act establishing the National Endowment for the Humanities includes the study as well as one’s interpretation of modern and classical languages, literature, linguistics, history, archeology, philosophy, ethics, religions, and the history, and theory of the arts (Humanities Council of Washington D. C. , n. d. ). Humanities cover a wide array of areas and time frames. Cajun Music I chose Cajun music because I have a rich cultural tie to Cajun music growing up around this musical type. I find Cajun music has a little bit of several types of music played because of its rhythms and lyrics. The first Cajun records came out in 1928, but it was not until the 1960s that the genre became well known beyond Louisiana (National Geographic Society, 1996-2012). Cajuns are known for their love of dancing, including two-stepping, and waltzing. Cajun songs with its deep emotion and rhythms that make an individual want to get up and dance goes hand-in-hand to tailor to these cultural inclinations. According to National Geographic Society (1996-2012), † Many of the songs have their origins in old Acadian and French songs, but Creole, Celtic, African, Anglo-Saxon and Amerindian influences were also picked up along the way † (Cajun Music). Many Cajun songs have lyrics in French-Acadian and include a fiddle and accordion, which gives the music its unique sound. My experiences with Cajun music stems from listening to my grandfather play the fiddle and sing in French. I was not always aware of what was said but by traditions and my culture I have learned to embrace the music and rich cultural beliefs my ancestors have laid out for me to learn from. How Cajun music tailors to my knowledge of humanities, art, style, genius, and culture of the time period it represents. When I evaluate what humanities means, I can better understand how Cajun music fits in because this type of music, which was once more localized to it its origins in Louisiana but now has a mass appeal and has become popular throughout North America and abroad. Humanities are about the arts and one’s culture. The style of modern day Cajun music displays its sounds anywhere from gospel, jazz, to rock-in-roll. Where it was once more primitive style of music and sung acapella, nowadays includes instruments, and a mixture between French and English wording. The genius of Cajun music originates from Cajun’s telling their story and intergrading their culture into the music. The cultural time period Cajun music represents would coincide with the movement from more classical music to rhythm and blues, rock-and roll, country, bluegrass, gospel, and jazz. Cajun music is a music transcending time and has evolved like all the previously mentioned styles of music. How Cajun music compares with other forms of culture from the same  time period. The evolution of Cajun music compares well to other styles of music but lack the use of technology instrumentally mostly. This type of music displays historic and modern day Cajun cultural beliefs and makes an individual want to dance. As in any art one’s location has much to do with it cultural styles. Conclusion Humanities are instrumental in understanding a civilization’s culture and learning from history to help an individual make wise decision for the future. Cajun music is the cultural even I chose because I have lived it all of my life, and it is part of my culture. References Georgia Humanities Council. (2009-2013). Georgia Humanities Council. Retrieved from http://www. georgiahumanities. org/about-us Humanities Council of Washington D. C.. (n. d. ). Defining the Humanities. Retrieved from http://www. wdchumanities. org/docs/defininghumanities. pdf National Geographic Society. (1996-2012). Nat Geo Music. Retrieved from http://worldmusic. nationalgeographic. com/view/page. basic/genre/content. genre/cajun_700.

The End of Privacy

Daniel Trejo English 1301 Threatening Privacy Nowadays is hard or practically impossible for someone to keep something secret that you just do not want people to know because it is something personal. Anybody can access most or almost all of your information by simply searching it on the internet. It may not be something important to a lot of people because they do not really think deep about it but it is something that people should be concern about. Is it really â€Å"The End of Privacy? †? Or is there something we can do about it and stop the spread of our private information.Due to more people having technology like cell phone cameras, audio recorders, and other recording technologies it is easier for them to record private details about themselves. These people may later regret about doing such thing because what they recorded may end up on the internet for the whole world to see. Like what happened to the â€Å"Star Wars Kid,† who â€Å"videotaped himself waving around a golf-ball retriever while pretending it was a light stabber† (385). Insignificant things like this can destroy your reputation even your entire life.People suggest that if you find yourself in a situation like this there is pretty much nothing you can do about it. It would be better if people just would not record themselves doing such things to avoid the same thing happening to you. Social-networking sites and blogs also threat our privacy with people not even knowing that these web sites keep and spread their private information with others. Daniel J. Solove calls the people growing up today â€Å"Generation Google,† because all of their personal and private information will reside on the internet forever (386).Nowadays most people have their own web sites such as Facebook and Twitter making it easier for others to see and know more about your personal information. Web sites like these spread your personal information with other web sites without people even knowing it, thinking that their personal information is secure and only people they want may see it. I agree with what Solve thinks because anything that you post on the internet will stay there forever, having this in mind people should be very careful with what they post and do on the internet. On the other hand there is also the government that compromises privacy.For example, the National Security Agency â€Å"listens and examines the records of millions of telephone conversations every year† (386). There are also other government entities that keep records of personal information like births, marriages, employment, property ownership and more. These things are accessible to anyone by one simple search. Some would argue that the government has no right to do this, that they are violating personal information. You cannot even call someone and have a â€Å"private conversation† with them because you have these people listening to your conversation, which I find a lit tle bit creepy.Is there something we can do to prevent future spread of personal information? Some technologists and scholars say no. As Scott McNealy once said, â€Å"You already have zero privacy. Get over it† (387). Some suggest that nowadays it is practically impossible for someone to â€Å"start over,† reinvent their lives because everything is stored on the internet and you cannot simply delete it. There are some privacy laws that had been passed to try and protect people privacy but they do not really work. Due to privacy threats now cropping up, these laws have developed in a way that is often ineffective against these threats.But there are some things that people can do to prevent the spread of all of their private information but the most important thing is to know what you are posting on the internet. Once your information is on the internet anything can happen. People should be careful on what they put online because it can ruin your reputation. People nowa days based on your reputation can decide whether to make friends with you or businesses etc. Some suggest that this is the† death of privacy,† and that in the future it will grow into something bigger. You decide, is it really â€Å"The End of Privacy? †? Some will argue that.

Cachau Bant: Mind Your Language Essay

There has not been a day with peace on this earth. We always hear about war, power, loss, and corruption. Every politicians wants the power, wants to change something for the better, or what they think is better, without knowing what the consequences are. In the article â€Å"Cachau Bant: Mind Your Language† Tom Law expresses his opinion about the way the England has forced the Welsh people to learn English and forgotten their own native language. I want to find out how Tom Law presents his arguments by analyzing them using the pentagon, and analyze and comment on how he uses history. Tom Law, the writer of the article, is a Welsh man who lives in Wales. He is very irritated and furious with England because they have forced the Welsh people to change their mother tongue to English. Throughout the article, he tries to persuade the reader to fight against England’s tyranny against other languages than English. Tom Law uses different strategies to convince the readers†™ and gain their empathy. His main claim is that England is being tyrannical against the Welsh language, and that England has the power of one’s speech. He says, â€Å"It’s hard to give a toss about language when you’re an English speaker. Because losing your language is not something you’ll ever have to worry about; thanks to the glory days of the British Empire.† (Law, Tom. Cachau Bant: Mind Your Language. Page 6 ll. 1-5). He has different grounds for his claim. The first ground is that language was a choice that England made for the Welsh people including Tom Law himself. They did not have the opportunity to choose for themselves, England made the choice for them. The other ground is that England thought that it was better for the Welsh people. Like mentioned earlier, Tom Law is irritated and furious with England, and we can especially see that in the way he writes. The language is informal, and the sentences are short, â€Å"The Welsh language has declined so rapidly because the English placed a pillow over its face and smothered it.† (P. 7 ll. 120-123). He also uses a lot of irony, for example he says, â€Å"[†¦] the glory days of the British Empire. English is a dominant language- the third most common in the world. It’s a source of national pride- a gift to the planet.† That makes the reader feel that England is actually nothing but a small country that does not make a good difference for anybody if England does not get something good from it. His  tone in the article is very negative; we can see that many places in text. One of the places is where he says, â€Å"It was done by England and it continues to tear the country apart, affecting every aspect of Welsh life.† (P.7 ll. 74-76) Another place in the text that shows that the tone is negative is when he says, â€Å"It’s the consequence of the state treating the Welsh language as a sickness which needed to be cured†. (P.8 ll. 135-137). The reason is that he is annoyed and angry with England. Tom Law uses history as a device to show the reader that England has been causing loss and trouble in many other countries, and they are still causing loss and trouble. He says, â€Å"It has left non- Welsh speakers feeling like outsiders in their own country, forever left out in the cold and staring back in at history and culture they can’t access; at jobs they’re not qualified to do. For Welsh speakers, they have been battered from all sides, endlessly under attack, having to justify the use of their own language- mostly to fellow Welsh people.† (P.9 ll. 227-236) The article is characterized by pathos. â€Å"The â€Å"WN† initials were carved onto a plaque which school kids were made to wear around their neck if heard speaking Welsh in classroom. The pupil wearing the plaque at the end of the day would be beaten.† (P. 9 ll. 211-217) The reader will immediately feel sorry and get empathy for the Welsh people. He also uses logos, for example, he say s that back in the 1840s, around 80 percent of people living in Wales spoke Welsh, and many of them spoke no English at all, and in the year 2011 had the number dropped down to below 20 percent. When the reader reads this, Tom Law will gain some readers’ support, because is strengthens his argument. Furthermore, he also tries to engage the reader by asking questions â€Å"What can you do?† (P. 7 l.117) This question makes the reader to think about an answer to what we can do, and this makes a kind of community. Besides that, the article needs more ethos. He does not have any expert’s estimation to support his claims, and that causes that the grounds of his claims are weak. If he had some experts or some data, the ethos of the article would be stronger, and he would probably gain a lot more readers’ attention and support. Tom Law tries to reach support and empathy from people that has the same way of thinking. He tries to convince people who feel the same hatred against England as him. He tries to persuade people who feel lost, because England was the one who caused a lot of loss in many countries. That is also the reason why he uses some of England’s history in  the article, to reach the people who feels lost, the ones not knowing who they really are. That is his primary audience. The secondary audience is the nation of England. He is trying to tell England to, not to interfere in other countries’ language. The intention of the article is that Tom Law tries to convince the reader to support his opinion. He wants England to stop interfering in other countries, and just keep their business in England. Tom Law’s tone is very negative towards England and he does not see it from the opposite side of the discussion. If he saw the discussion from both sides, the article would be more trustworthy, and he would win a lot more support. If England had not force many countries to change their native tongue or just taught other countries the language, another countries would have done it.. Actually, you should be thankful to England. If England did not do what is has done, today, we would not be able to understand each other.